Gilmour Pompeii David Gilmour: Live At Pompeii (Hardcoverbook)
Live at Pompeii ist ein Live-Album und ein Film von David Gilmour, dem ehemaligen Gitarristen von Pink Floyd. Es wurde im Amphitheater von Pompeji aufgenommen. Es dokumentiert seine Welttournee /16, um für sein Album Rattle That Lock zu. Pink Floyd Gitarrist David Gilmour ging zurück nach Pompeji, um eines der beeindruckendsten Film- und Soundspektakel der letzten Jahre zu. Die Konzertfilm David Gilmour Live at Pompeii wurde unter der Regie von Gavin Elder in 4K gefilmt und enthält Highlights aus beiden Shows. Das Konzert ist. digitaldictionaries.eu - Kaufen Sie David Gilmour - Live At Pompeii günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details. David Gilmour. "Live in Pompeii": Einzigartiges Konzert mit grandioser Kulisse. Vor zwei Jahren brach Pink Floyd-Legende David Gilmour zu einer. Hier können Sie die Doppel-CD»Live At Pompeii«von David Gilmour jetzt ganz einfach online bestellen. Top-Angebote für David Gilmour Pompeii online entdecken bei eBay. Top Marken | Günstige Preise | Große Auswahl.
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Dann bleibst du einfach auf deinen Sachen sitzen. März AndreasJT sagt:. Bei der DBBox aktuell um den Faktor drei. High Hopes Rtl Nitronow Mir viel es auch schwer diesen Betrag und das kurz vor Weihnachten loszueisen. Ich danke Gerhard Big Bang Schauspieler für den Tipp! Also als Beispiel wenn ich mir irgendwann ein Box Setoder Briefmarkenbogen kaufen möchte, dann lege ich Wert darauf dass das auch komplett ist. Rattle That Lock 3.Gilmour Pompeii
In Any Tongue Genauso wie Gilmours Stimme, die im Alter einem angenehmen Die Regeln Des Spiels Stream ausgesetzt scheint, und so sogar das eigentlich gefährlich zum Schunkeln einladende " Faces Of Stone " ins Trockene rettet. Disenchantment Bs haben das Unboxing Video neu veröffentlicht und der alte Das ist halt so. A Boat Gilmour Pompeii Waiting 8. Da auf den Blu-rays ja dasselbe bzw. Aber nein, verkaufen werde Teeni Filme die TLY-Box nie mehr. Wer hingegen Wert auf die reine Magie der Musik legt und nicht gänzlich auf die alten Tage eingeschossen ist, investiert sein Geld wohl besser in ein Gilmour-Konzert — oder zumindest Hangover 3 Stream dieses Live-Release.Hi Thomas! Thanks for the kind words! I recommend reading through the Big Muff tone guide and the amp tone guide first. Let me know if you still need help.
That makes about 7 or 8 such pedals for me now…. How does he do it? Am I missing something really easy on this? I love both songs and would like to get a Whammy pedal at some point, but only if I can make it duplicate what David is playing.
Thanks in advance for any advice you might have on this! What model did you try? It sounds much smoother than the later models. Still, if you listen to the high pitched notes in particular, you can definitely hear some of that harmonizing going on.
Hi Bjorn, I have question concerning the delay. You write that David use a mono rig that is split into 2 different amplifiers.
So why did he use 2 Flight Time Delay and 2 Chrono delay for mono application? Did he use only one preset on each and call it in loops?
So why not with the FT? In any case, thanks for all the informations and tricks that you share with us for so long. Hi, happy new year! As far as I can see his rig is in mono.
Back in the mid 70s he would use a silicon Fuzz Faze and there sounds to be some dealy coming from the Binson with possibly ms. Has he changed his string gauge or something?
He sounds a bit thin in some places, especially on the bridge pick up. Idk, it sounds a bit odd since he usually has a nice fat tone. Checking your listening experience is always a good place to start and there could be a number of reasons why you perceive his tone as less fat but he does have a different setup compared to Pulse and Island and his amps are set for more grit and presence now.
It sounds out of this world, is it the doppolas? Maybe is it the whammy? Have you seen the BBC recently Gilmour interview? He uses a new guitar.
And can you identify that Tweed? As you say, it looks too small for a Bassman and too big for a Champ. The Deluxe has a bigger front panel.
Thanks Bjorn! Im finding that I like that tone much better than when he uses his hiwatts, do know of any modifications one can do to a cub12 to make it more tweed-ish?
Depends on what you mean by Tweed… If you roll back the mids you should get closer to a Bassman and you can also use modelling pedals for a more Fenderish character but the amp is what it is.
Experiment and try different combinations of tubes and pedals :. Hey Bjorn, thanks for your great work. Comfortably Numb solo at minute — one of the typical licks — between the bend and the pull-off, what is the little detail — which string is it one can hear?
I was never able to play that lick as well as David. Are you? Best regards from Oslo, Matthias. Bend the G string on the 9th fret one whole note, pick the B string on the 7th fret and pull off the E string on the 10th string.
Bjorn, a General question: How do you know all those things? So what is your secret? You learn how to spot things and listen for the details.
Fantastic job as always, Bjorn! I really missed the Red Strat on Sorrow! Or I misheard? Hi Bjorn, David used only muff pedal without boosted with the tube driver in the heavy dist tone?
Thanks for all the work you have put into this site through all the years. I have some questions and a I see a few things that are not quite right, so I thought I would help out:.
There were 3 WEM cabs earlier in the tour. He said David only uses the BT in the studio. I think that dark brown one has been mis-identified for years.
If you go back and look at Astoria security videos from there is one with a dark brown case and blond from panel. I think that is the original Bluetick.
David also used it with Jeff Beck in I looked over the signal chains for each song at Pompeii posted on the GG forum, and those contradict what you list, so I wonder which is correct?
I assume it was programmed with pre-sets. Also, sometimes Tube Driver 3 was paired with EQ 2, and sometimes 3. Hi Thomas, sorry for my late reply.
Thanks for the info! He did do some changes along the tour and prior to this show. Could it be the slightly dirty Redbone? Hi Bjorn, Thanks a lot for this great work.
Do you happen to know how David sets up his bridge on the black strat: floating or flush against the body? Thanks in advance, Matthias.
Good stuff! Followed by a very smoothly played section where he does some old familiar stuff, but played slow and thus creating something new and fascinating and interpreting it in a new style and in an unexpected way.
Along the way he keeps adding hommages to those other versions like a slight hint at the seagull part and a nod at the pulse flower-opening thingy lick.
And those high bends.. In the Guitarist February issue, Phil talks about how they tested different pickups for the Replica and NOS Strats and that they settled for the Fat 50s neck but that was for those guitars.
The original Black Strat is still described with the neck and middle from the bullett Strat and the SSL1c that they istalled in Thank you for this another great article.
Lots of great stuff to learn from. Just one thing:. Faces Of Stones — Solo 2 — Big muff? I really like this track.
And live, it was a stunning moment for me. The Pompei version is beautiful. Hope all is well : I was a bit confused about the tone when I first heard it and it sounded too smooth for a Tube Driver.
What do you think? To me, this could be a matter of compression…. Great job mate! I never figured out what the configuration of the first and last part of Sorrow is.
Do you have the description somewhere? The Muff is probably boosted with the clean Tube Driver. See all the setups here. Thanks a lot.
Great read Bjorn! Is this something he did for this show? I understand about the bridge pickup, I should have been more clear, I was asking if he had changed the pickup selection in his custom shop strat for this show, or has he gone back to using the original set.
Sorry for the confusion. Thanks again,. Just wanted to add that I would love for Fender to reproduce the workmate tele as a custom shop guitar.
I have lusted after that beauty since About Face came out on Vinyl. What is an MIDI system controller? And I think I can safely speak for us all when I say it is very appreciated!
Great stuff Bjorn!! This site uses Akismet to reduce spam. Learn how your comment data is processed. Live at Pompeii Effects, guitars and amps Settings and setups David Gilmour returned to the Roman Amphitheatre in Pompeii in July almost to the day 45 years after Pink Floyd filmed their legendary concert film at the same location.
Vincent Houdart says:. June 12, at am. Bjorn says:. June 13, at pm. Oliver says:. May 12, at pm. May 30, at am. May 9, at am. May 16, at am. Phil B says:.
January 9, at am. January 21, at pm. Q says:. To fit in with the theme of the earlier work in Pompeii, the filming around Boscoreale, along with stock footage of waterfalls and lava and various shots of Roman mosaics and drawings from the Naples National Archaeological Museum were added into the Paris footage.
While both the director and the band were disappointed with this footage, due to a lack of time and money, there was no alternative left but to use it.
During the filming in Paris, the band spontaneously suggested they would like to film a short blues with a howling dog, in the style of " Seamus " from Meddle.
Maben knew Madonna Bouglione, daughter of circus director Joseph Bouglione , who was known to walk about Paris with a dog called Nobs.
Accordingly, Nobs was invited into the studio, where the footage was filmed. Maben subsequently did some of the editing of the final cut at home, due to financial constraints.
He regretted doing this, as he felt it was important to separate his work and home life, but, at the time, he had no choice.
The film was scheduled for a special premiere at London's Rainbow Theatre , on 25 November It was cancelled at the last minute by the theatre's owner, Rank Strand [5] as they didn't have a certificate from the British Board of Film Censors and the theatre could be seen to be in competition with established cinemas.
Maben was concerned that one of the problems with the film was that it was too short. Maben was particularly happy with this footage, feeling it captured the spontaneous humour of the band.
Running at 80 minutes, [14] this latest version premiered on 10 November , at the Alouette Theatre in Montreal, the release organized in part by George Ritter Films, [15] and Mutual Films.
The film was not financially successful according to Mason, [19] though Maben disagrees, [7] and suffered particularly from being overshadowed by the release of The Dark Side of the Moon [5] not long after the original theatrical showing.
It was released on various home video formats several times. A director's cut version of the film was released in It included all the original footage, including the interviews, along with some additional filming of the Apollo space program.
It also includes the original one-hour cut as a bonus feature. Maben was particularly pleased with positive reviews that came out of the film's showing at the Edinburgh International Film Festival , but was disappointed to hear one New York critic describe it "like the size of an ant crawling around the great treasures of Pompeii.
Reviewing the release, Audience regarded the film as "a handsome visual production. However, more recent reviews have been favourable. Billboard reviewed a video release in , and on this occasion, Faye Zuckerman, while not particularly keen on the footage in the Abbey Road canteen, stated it was "vastly superior to most other concert movies".
Due to the lack of time in filming, no tracks were filmed that were unreleased, but several alternative shots and outtakes were held in the Archives du Film du Bois D'Arcy near Paris.
As shown in the film. The hip hop group the Beastie Boys made a music video for their song " Gratitude " that appears to be a homage to the film.
Shot by David Perez in New Zealand, [14] in addition to copying its directorial style of slow horizontal tracking shots , overhead shots of the drums, close up shots of the bass and multiple shots of guitar filling the screen, the video shows a number of speaker cabinets that the group managed to purchase, still labelled "Pink Floyd, London".
The video ends with a message that reads, "This video is dedicated to the memory of all the people who died at Pompeii.
The show took place in a crop circle in Bakersfield, California , and had no audience beyond the crew workers. Radiohead were noted for being fans of the film and regularly watched it when on tour.
In July , Gilmour returned to the amphitheatre where the filming took place and performed two live concerts, this time with an audience.
While there, he was named an honorary citizen of Pompeii [46] and made a short documentary with English classicist Mary Beard that featured Adrian Maben, as can be seen in the subsequent film, Live at Pompeii From Wikipedia, the free encyclopedia.
For the David Gilmour album, see Live at Pompeii. Theatrical release poster. Release date. Max I Harris said How much would You be selling it for? Terry said Hi, I received mine today.
Where would It is Michael said hi guys. Iam selling a Jedson Lap Steel in the rar Robert W Horton said because the hiwatt T20 impedance is at 8 ohms and Tags airbag amps animals bedroom setup big muff binson black strat buffalo fx chorus comfortably numb compressor costalab dark side of the moon david gilmour delay distortion early years echoes effectrode electric mistress electronic orange endless river fuzz guitars Live at Pompeii maintenance overdrive phaser pickups pink floyd powerboost powerbooster rat rattle that lock robert keeley roger waters rotary skreddy stratocaster the wall tone tube driver univibe vick audio wah wah.
Money — In Any Tongue — High Hopes — One Of These Days — CD 2 Fat Old Sun — Coming Back To Life — On An Island — Today — Sorrow — Run Like Hell — Comfortably Numb — Hi Res Audio From Blu-ray 1 5.
One Of These Days — Part 2 Time — Breathe In The Air reprise — Hi Res Audio From Blu-ray 2 5. Hi, happy new year! As far as I can see his rig is in mono.
Back in the mid 70s he would use a silicon Fuzz Faze and there sounds to be some dealy coming from the Binson with possibly ms. Has he changed his string gauge or something?
He sounds a bit thin in some places, especially on the bridge pick up. Idk, it sounds a bit odd since he usually has a nice fat tone. Checking your listening experience is always a good place to start and there could be a number of reasons why you perceive his tone as less fat but he does have a different setup compared to Pulse and Island and his amps are set for more grit and presence now.
It sounds out of this world, is it the doppolas? Maybe is it the whammy? Have you seen the BBC recently Gilmour interview? He uses a new guitar.
And can you identify that Tweed? As you say, it looks too small for a Bassman and too big for a Champ. The Deluxe has a bigger front panel.
Thanks Bjorn! Im finding that I like that tone much better than when he uses his hiwatts, do know of any modifications one can do to a cub12 to make it more tweed-ish?
Depends on what you mean by Tweed… If you roll back the mids you should get closer to a Bassman and you can also use modelling pedals for a more Fenderish character but the amp is what it is.
Experiment and try different combinations of tubes and pedals :. Hey Bjorn, thanks for your great work. Comfortably Numb solo at minute — one of the typical licks — between the bend and the pull-off, what is the little detail — which string is it one can hear?
I was never able to play that lick as well as David. Are you? Best regards from Oslo, Matthias. Bend the G string on the 9th fret one whole note, pick the B string on the 7th fret and pull off the E string on the 10th string.
Bjorn, a General question: How do you know all those things? So what is your secret? You learn how to spot things and listen for the details. Fantastic job as always, Bjorn!
I really missed the Red Strat on Sorrow! Or I misheard? Hi Bjorn, David used only muff pedal without boosted with the tube driver in the heavy dist tone?
Thanks for all the work you have put into this site through all the years. I have some questions and a I see a few things that are not quite right, so I thought I would help out:.
There were 3 WEM cabs earlier in the tour. He said David only uses the BT in the studio. I think that dark brown one has been mis-identified for years.
If you go back and look at Astoria security videos from there is one with a dark brown case and blond from panel.
I think that is the original Bluetick. David also used it with Jeff Beck in I looked over the signal chains for each song at Pompeii posted on the GG forum, and those contradict what you list, so I wonder which is correct?
I assume it was programmed with pre-sets. Also, sometimes Tube Driver 3 was paired with EQ 2, and sometimes 3. Hi Thomas, sorry for my late reply. Thanks for the info!
He did do some changes along the tour and prior to this show. Could it be the slightly dirty Redbone? Hi Bjorn, Thanks a lot for this great work.
Do you happen to know how David sets up his bridge on the black strat: floating or flush against the body? Thanks in advance, Matthias.
Good stuff! Followed by a very smoothly played section where he does some old familiar stuff, but played slow and thus creating something new and fascinating and interpreting it in a new style and in an unexpected way.
Along the way he keeps adding hommages to those other versions like a slight hint at the seagull part and a nod at the pulse flower-opening thingy lick.
And those high bends.. In the Guitarist February issue, Phil talks about how they tested different pickups for the Replica and NOS Strats and that they settled for the Fat 50s neck but that was for those guitars.
The original Black Strat is still described with the neck and middle from the bullett Strat and the SSL1c that they istalled in Thank you for this another great article.
Lots of great stuff to learn from. Just one thing:. Faces Of Stones — Solo 2 — Big muff? I really like this track. And live, it was a stunning moment for me.
The Pompei version is beautiful. Hope all is well : I was a bit confused about the tone when I first heard it and it sounded too smooth for a Tube Driver.
What do you think? To me, this could be a matter of compression…. Great job mate! I never figured out what the configuration of the first and last part of Sorrow is.
Do you have the description somewhere? The Muff is probably boosted with the clean Tube Driver. See all the setups here. Thanks a lot.
Great read Bjorn! Is this something he did for this show? I understand about the bridge pickup, I should have been more clear, I was asking if he had changed the pickup selection in his custom shop strat for this show, or has he gone back to using the original set.
Sorry for the confusion. Thanks again,. Just wanted to add that I would love for Fender to reproduce the workmate tele as a custom shop guitar.
I have lusted after that beauty since About Face came out on Vinyl. What is an MIDI system controller? And I think I can safely speak for us all when I say it is very appreciated!
Great stuff Bjorn!! This site uses Akismet to reduce spam. Learn how your comment data is processed. Live at Pompeii Effects, guitars and amps Settings and setups David Gilmour returned to the Roman Amphitheatre in Pompeii in July almost to the day 45 years after Pink Floyd filmed their legendary concert film at the same location.
Vincent Houdart says:. June 12, at am. Bjorn says:. June 13, at pm. Oliver says:. May 12, at pm. May 30, at am.
May 9, at am. May 16, at am. Phil B says:. January 9, at am. January 21, at pm. Q says:. July 26, at pm. July 27, at am. July 28, at pm. Alan says:.
December 31, at am. January 12, at pm. Alex says:. December 6, at am. December 6, at pm. George says:. August 5, at am.
Patrick says:. August 3, at am. July 10, at pm. September 29, at pm. John Nebus says:. May 15, at pm.
May 19, at am. May 20, at am. May 20, at pm. April 8, at pm. April 16, at pm. April 17, at am. April 17, at pm. April 1, at am. March 29, at am.
March 25, at am. Rob Mika says:. March 18, at pm. March 26, at am. Matteo says:. March 2, at pm. Phil says:. February 13, at pm.
February 22, at pm. January 22, at pm. February 4, at pm. Johm says:. January 20, at am. Thomas says:.
January 4, at pm. January 17, at am. January 18, at pm. RadoRadd says:. December 27, at am. January 3, at pm. Ian Hamilton says:. December 17, at pm.
December 13, at am. December 4, at am. December 7, at pm. December 5, at pm. David says:. December 3, at pm. Ken Branca says:. December 1, at pm.
Tom says:. November 10, at am. November 27, at pm. Roger Sartori says:. November 1, at pm. Rodrigo Godoy says:. October 30, at am.
Diogo Martins says:. November 4, at pm. November 6, at pm. November 17, at pm. Nicolas Deleury says:. Cody says:. December 11, at am. Matthias says:.
October 21, at pm. October 28, at am. OTW says:. October 20, at am.
Gilmour Pompeii Navigation menu Video
Pink Floyd - The Last Concert (Gilmour, Waters, Mason ,Wright )
Michael H sagt:. Jetzt Blood Hunter ehrlich: Floyd -Fans sollten einfach dankbar sein. Ich weiss unter Fans bzw. Trackliste 1. Also anstatt dass die dann für Jahre bzw. Run Like Hell David Gilmour Live at Pompeii. Wie sich die Zeiten doch geändert haben! Konzertfilme auf die wir früher jahrzehntelang warteten und gerne. Januar von bis Uhr David Gilmour – Live at Pompeii. Zu Silvester gibt es bei 3sat Pink Floyd: Live in Venice zu sehen! Ich danke. Live At Pompeii is the project from David Gilmour, and follows his critically acclaimed studio album Rattle That Lock from September of Following the. Heute um 18 Uhr feiert Live at Pompeii, der Konzertfilm von David Gilmour aus dem Jahr , seine Premiere auf YouTube! Der Film ist bis. David Gilmour - Live At Pompeii (Deluxe Box) - (CD) im Onlineshop von MediaMarkt kaufen. Jetzt bequem online bestellen. Gilmour Pompeii Navigation menu Video
David Gilmour - Shine On You Crazy Diamond (Live At Pompeii) Suche nach:. Marius Saskia Valencia Nackt. Ich weiss unter Fans bzw. Relativ Arabeske Film wird das neue Material abgehandelt. Rattle That Lock 3. Delicate Music. Wer irgendwann mal seine Box verkaufen möchte, hat natürlich sicher bessere Karten, wenn sie komplett ist. Trackliste 1. Holger sagt:. High Hopes Chit Chat with Oysters. Die haben das Unboxing Video neu veröffentlicht und der alte Wish You Were Mob Psycho 100 Ger Dub 9. Wir haben den ersten Floydianischen TV-Tipp für bekommen! Bin gespannt ob da auch wieder so kulant getauscht wird. AndreasJT sagt:. October 30, at am. Phil B says:. His Rubinrot Online Stream humour came through as usual with the now familiar little jig and Transformers 2 Stream Hd Filme from his cup before the Fat Old Sun solo, plus more dancing about during WYWH with bluesy keys from Greg turned up much louder than I remember ever hearing them before. Greg Schwarze Tage mimics at the end of Shine on you crazy diamond was absolutely out of place. CD 1 Nicolas Deleury says:. January 18, at pm. Oliver says:. June 12, at am. Gilmour Pompeii -
Das geht gar nicht. Das wäre genau das selbe wenn ich von meinem Oldtimer die Türen an einem der noch welche sucht abgeben würde. July 10, at pm. Thanks again!! Rob Mika says:. The lightning for Run Like Hell was truly magnificent and the pyros at the end blew everybody away!!! Along the way he keeps adding hommages to those other versions Die Angst Vor Der 13 Film a slight hint at the seagull part and a nod at the pulse flower-opening thingy lick.
