
Schneider Vs Bax Das könnte dich auch interessieren
Der Auftragskiller Schneider hat Geburtstag und freut sich auf das große Fest, das seine Frau geplant hat. Doch dann funkt ihm ein Anruf seines Chefs dazwischen und er erhält den Auftrag, zuerst noch den Schriftsteller Ramon Bax zu beseitigen. Mit»Schneider vs. Bax«scheint der Filmemacher rein formal eine ähnliche Richtung einzuschlagen, wenn der Inhalt auch kaum konträrer zum. Zu den schrulligsten Regisseuren Europas gehört fraglos der Niederländer Alex van Warmerdam. In seinem neuen Film „Schneider vs. Bax“. Alex van Warmerdams neues Werk Schneider vs. Bax macht Schluss mit jeglichem Schnickschnack und präsentiert sich als schnurgerade. Schneider vs. Bax ein Film von Alex Van Warmerdam mit Tom Dewispelaere, Alex Van Warmerdam. Inhaltsangabe: Schneider (Tom Dewispelaere) hat. Filmkritik zu Schneider vs. Bax. Archaische Riten in blitzsauberen Räumen: Der niederländische Regisseur Alex von Warmerdam lässt zwei. Schneider vs. Bax heißt es in der niederländischen schwarzen Komödie. Doch die Fronten sind weniger deutlich verteilt als gedacht, wenn ein.

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Schneider vs Bax (2015) - Trailer - Tom Dewispelaere - Alex van Warmerdam - Maria Kraakman digitaldictionaries.eu - Kaufen Sie Schneider vs Bax günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Schneider vs. Bax [dt./OV]. (51)1 Std. 36 Min Schneider steht sein Geburtstagsfest bevor, liebe- und planvoll arrangiert von seiner reizenden Gattin und. („Schneider vs. Bax“ directed by Alex Van Warmerdam, ). An seinem Geburtstag arbeiten zu müssen, ist nie besonders toll.On his birthday, Schneider, a contract killer disguised as a handyman reluctantly takes on the easy task of killing Bax, a novelist who has a substance-abuse problem that could do him in before his rival contract arrives.
Mertens, Schneider's boss orders him to grab his rifle and get to work. Bax also has to deal with his younger lover, Nadine and his lecherous father, Gerard.
Both Schneider and Bax know they are being played, but since it is a contract they have a certain obligation. Schneider uses an escort whom he has saved from a pimp to do cover work for him.
Francisca who is depressed and frustrated that no one is there to help her, kills her grandfather Gerard when he tries to molest her and hides his body in a nearby swamp.
Francisca comes to know her father is a hitman rather than a novelist, and she tries to help him to finish Schneider.
Meanwhile, Schneider picks up Mertens and props him as a target for Bax. Bax kills Mertens mistakenly.
Bax prepares to leave the house since the client is dead and the contract is no longer valid; he considers this to be valid, in principle, for his colleague Schneider as well.
But Schneider considers Bax to be a threat, kills him and hunts down Francisca as she is a witness to his crime. Francisca appears naked before Schneider near the swamp where she killed her grandfather.
Like Borgman, Schneider vs. Bax is also very different from traditional Hollywood slop, and van Warmerdam adds much more humor to the mix this time.
The acting, directing, images and storyline are all good. The film falters only in that not enough money and talent was provided in order to move the film to the next level.
Seen at the Toronto International Film Festival This wild and dark Dutch film is not for everyone, but for those viewers who like all kinds of strange twists and surprises in their movies, this one could well be to your liking.
Tom Dewispalaere stars as Schneider, a contract killer who reluctantly takes a job on his birthday, as he's assured that the "hit" will be quick and simple, on a writer living in an isolated lakeside bungalow.
Alex van Warmerdan, who also wrote and directed the film, co-stars as Bax the supposed intended victim. However, I probably don't have to tell you that things will definitely not go according to plan, beginning with Bax's daughter Francisca Maria Kraakman showing up at the bungalow.
From that point on, they'll be a whole series of bizarre happenings, that just get darker and darker as the movie progressed. To be aware,they'll be lots of drug usage on screen, a couple of scenes of nudity, an attempted sexual molestation, and, of course, lots of violence as you'd expect here.
All in all, if this type of black humor is done well, as I thought this one certainly was, it can be a real treat. Although some of the plot elements didn't make complete sense and I wasn't thrilled with the ending, the overall scope of the film made it really enjoyable for me.
I love this film. There is no background music it's set in bright daylight. How does Warmerdam accomplish this? Another brilliant movie by Alex van Warmerdam ludmillaherni 27 January After 'Abel', 'de Noordelingen ', 'kleine Teun', 'de jurk' and many others, this is another example of Alex' special, wonderful qay of storytelling.
He has this very special way of filming in a hyper-realistic fimstyle, with an ironic sense of humor. You have to understand 'the language'.
The situations are absurd, the human relations are often distorted, the humor is wry. I love it! Who needs music, when a movie is this brilliant?
In my opinion this latest van Warmerdam movie is a vast improvement over the one that came before namely "Borgman" which I didn't understand. It could be me but I just didn't get it.
This new one however is a lot more coherent and focused, I would say. The movie held my attention throughout its running time and I was genuinely fascinated, entertained and interested.
It's an effective film in the sense that it really does create e. Technically it's well done as well; it looks great and it's well edited and so on. I would be lying if I said I did get this one.
If there's anything to get, that is. Maybe there's nothing to get? Maybe it's just a story for the sake of one? I'm not really sure. I don't know why Schneider didn't kill Francisca.
He was pretty much a cold blooded killer up until then. So why the change? Where's the character development? Did the fact he unintentionally killed Gina change something?
Why did it change something? I don't know. I'm pretty sure he didn't choose not to kill Francisca because she was naked.
So there has to be some other reason. But I don't know yet what that is. Although I'm dutch I have to admit, I generally hate dutch movies.
The last dutch movie I saw Mt Ventoux was so boring I almost fell asleep. There are rare exceptions to the rule and this is one of them.
It has all aspects of a good movie, it is sometimes hilarious, but also a good continuous tension, who will survive and who will die with an unexpected outcome.
Yes sometimes there are fraction of the typical dutch movie, but they didn;t disturb me, the movie had my attention all the time.
I admit I didn't want to go at first but I'm happy it proved to be the only valid options for that evening.
Highly recommended. I'm a fan of actor-director-writer Alex van Warmerdam. This goes back to the 70 's, when he started with theater groups like Hauser Orkater and Mexicaanse Hond.
I like his dry humor, his lugubrious stories, his absurd dialogs. That he likes to make crime thrillers is obvious.
In Schneider vs. They are both good at what they do. They also work for the same employer. Each, amazingly, has a job to do at the same time and on the same day.
Also, both are targets. Each is unknowingly tasked with killing the other. This is where the similarities end however.
Schneider and Bax have opposite styles, personalities and lives. Schneider is a family man, or at least he appears to be. He lives in the city and is methodical, devious and relentless in going about business.
Bax, on the other hand, is carefree and lighthearted. This relaxed attitude is aided considerably by the heavy doses of drugs and alcohol he consumes.
With his nightmare of a girlfriend and family, he probably needs them. As Schneider closes in on Bax the latter is visited, in turn, by his daughter, father and girlfriend, each of whom is unstable and volatile.
This thrilling dark comedy is full of twists and turns as the hit men are constantly dealing with complications they did not expect.
Alex van Warmerdam also directed Borgman, which is as zany as it is creepy I loved it. Like Borgman, Schneider vs.
Bax is also very different from traditional Hollywood slop, and van Warmerdam adds much more humor to the mix this time. The acting, directing, images and storyline are all good.
The film falters only in that not enough money and talent was provided in order to move the film to the next level.
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