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Im Jahr wird die Produktion von Replikanten, künstlichen Menschen zum Einsatz im Weltall, nach einem langen Verbot wieder erlaubt, als der Industrielle Niander Wallace ein verbessertes Modell vorstellt. Ein lange gehütetes Geheimnis droht ans. Blade Runner ist ein US-amerikanischer Science-Fiction-Film aus dem Jahr und die Fortsetzung von Blade Runner (). Regie führte Denis. In BLADE RUNNER , der Fortsetzung des Sci-Fi Klassikers von Ridley Scott, macht sich Replikanten-Jäger LAPD Officer K auf die Suche nach seinem. digitaldictionaries.eu - Kaufen Sie Blade Runner günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Blade Runner ein Film von Denis Villeneuve mit Ryan Gosling, Harrison Ford. Inhaltsangabe: Im Jahr wird die Herstellung von Replikanten. damaligen Geschehen wird im Los Angeles des Jahres erneut ein Blade Runner auf die Jagd nach humanoiden, potenziell gewaltbereiten Replikanten. Blade Runner Lange geplante Fortsetzung des Science-Fiction-Kultfilms von Ridley Scott - inszeniert Denis Villeneuve ("Sicario"). Blade Runner
On one hand parts of the score is very original, very bombastic with its very loud blasts of electronic synth. But it does also tend to feel a bit too heavy or videogame-esque in places more than anything.
On the other hand the more recognisable parts of the score that remind you of the original film are good but tend to feel a bit too close; as if they just modified Vangelis's actual work instead of coming up with their own.
That's fine, but then maybe just use Vangelis? Sticking Vangelis's original score over the finale merely confirms that they should of used it throughout.
The World of So what's really changed here? Not much by the looks of it. The cities or at least LA still look like highly polluted, rain drenched, flying traffic infested urban sprawls festooned with various oriental influenced neon signage.
Vegas is now ghost town remember awash with radiation after a dirty bomb struck it bomb? Oh and said state is also overcrowded with refugees, so an accurate portrait of California for the future then.
But where did all the Asian people go from the original film? In this age K can now appear to lead a normal life with a hologram partner.
To the point where said female hologram actually falls in love with him and arranges for a prostitute to pop round so she can 'merge' with the prostitute and have sex with K.
I found this So is this female hologram programmed to so this? Did K request the hologram like this? Did K programme the hologram himself?
Also full blown gigantic neon advertisements can interact with you which seems kinda pointless. I did like how they advanced the technology from the point of view of the original movie.
In other words this films future tech is based and advanced on from the future tech of the film, not our reality based future.
Hence plenty of analog tech and Atari are apparently still a big company. The whole police protocol baseline test that K must undergo in order to remain He seemingly undergoes this everyday I think, at the end of his shift.
Its quite clear that K has been taking and passing this test for quite some time and is a solid blade runner. Yet at one point he fails the test and is immediately branded rogue.
By this point I would of thought failing the test wouldn't be that big of a deal. I just don't see how it would be a major problem anymore, in the early days maybe but now?
Also K stages Deckard's death at the end, intending to claim that Deckard drowned in the crashed spinner or whatever flying car that was. But how does that work??
Surely anyone could quite easily find the crashed vehicle reasonably quickly especially a man like Wallace and discover no body. With all the tech in this world I'm sure Deckard would get found out soon enough ahem Niander Wallace and Luv: I can't deny that Leto fit the bill here perfectly with his smooth baby-faced looks.
But I can't help but think that both Wallace and his brutal assistant Luv were slightly generic. Wallace is a highly perceptive, intelligent, calm, and softly spoken man.
He is blind but we do not know if he was born this way or not I originally thought he was a replicant. He also has a sadistic streak about him and a clear God complex as he refers to himself as a father to all of his replicant creations.
He really did come across to me as your typical 80's kimono wearing bad guy who dwells in his large lair sending out cronies to do his dirty work.
That leads us to Luv who is Wallace's female replicant enforcer. And that's all you need to know really. She's your typical menacing, equally sadistic enforcer type who knows martial arts, meh.
Its worth noting that in this sequel the replicants do not appear to have the noticeable shine in their eyes anymore.
I put that down to the obvious evolution of replicants, the slow blurring of both human and replicant.
Well that plus the whole managing to give birth thing also. Overall the lack of a proper score throughout this film is but one issue I had in a string of issues that all led me to one real conclusion.
What is the actual purpose of this film? I'm a solid fan of the original Ridley Scott masterpiece. Back in the days of yore the 80's when I was young I didn't really like or appreciate it.
Later in life I have since grown to understand the film, I like but not love it. But I have never really thought the film required anything more, and that's the problem on top of the fact this franchise is highly divisive which was proven at the box office.
If you didn't like the first film This new feature doesn't really feel like it needed. Yes the visuals are inevitably lavish and opulent, yes the acting is solid on the whole, and yes the package overall is well put together kudos.
But the story just felt kinda dull, not really important, not really required. There is little action which was to be expected, but also no real moments to make the hairs on the back of your neck stand up.
Nothing that rouses your emotions and adrenaline. Nothing that almost brings you to the brink of tears The original movie is fine as a stand alone film.
It offers intrigue that doesn't require a bow on top, it doesn't really need anything further. This just felt like a sequel for the sake of having a sequel.
As though they did it merely because they could, because Ford is still alive, because they could basically remake the original with better visuals.
That's essentially how this came across to me. And despite being a good science-fiction film, it still can't touch the original.
Phil H Super Reviewer. Jan 29, We now find ourselves in an age where the filmmaking craft is so preoccupied with making money that it hinders the art form itself and saturates the market with crowd-pleasing dross.
The rise of the superhero blockbuster has played a huge part in this and, as result, the creative and artistic nature of Blade Runner has become a casualty.
Like Ridley Scott's film before it, it has proven to be a box-office failure and despite the desire to provide sequels, the masses simply weren't interested in this one.
But took the sequel to a whole new level. They weren't just money-spinning exercises but revisits to much loved cult classics that were intent on exploring their characters in a whole new depth: 20 years after the drug-addled exploits of Trainspotting, Danny Boyle brought a satisfying maturity to T2 while, 25 years later, David Lynch revisited the quaint logging town of Twin Peaks with The Return - a deeply surreal 18 episodes that has reinvented the way that television can be viewed.
Going even further back than that, Denis Villenueve revisits Blade Runner after a 35 year hiatus and relieves my nervous disposition with the impressive completion of a hat-trick.
A lot of credit must be given to director Denis Villenueve for taking on one of the biggest gambles in filmmaking history.
To take on the unenviable task of delivering a sequel to the Ridley Scott classic, Blade Runner, shows real, self-assured confidence. Villenueve took the task on simply because he thought he could do a serviceable job while fans of the original myself included had strong reservations about a sequel even happening in the first place.
As is always the case, however, the proof is in the end result and I couldn't be more happy that Villenueve has been vindicated.
His vision of Blade Runner both expands upon its predecessor while also complimenting it's narrative depth and ethereal beauty.
Villenueve's decision to open on a close-up shot of an iris is an obvious choice - with perhaps the only thing missing being a referential wink to the audience.
Within seconds he goes on to depict an expansive, genetic farming land that's as desolate as it foreboding and already the opening "Hades Landscape" of the original springs to mind as Hans Zimmer creatively riffs on the iconic Vangelis score and manages that fine balance of reminiscence and originality.
From here on, it's clear that we're back on Blade Runner territory and I'd be lying if I didn't say it felt good. There are many subtle references to the original throughout the entirety of the film but Villenueve is clever enough to make this film his own without succumbing to a pastiche.
His deliberate pace will ostracise many viewers but it's entirely in keeping with the films meditative themes and allows cinematographer Roger Deakins the luxury of immersing us in this dystopian, retro-future with an abundance of gorgeous imagery.
There's not a single frame wasted as Deakins delivers one of the most beautiful pieces of work ever committed to the screen. This visual genius has been nominated for an Oscar 13 times and he's lost every time.
If there's any justice at all, he should win on his 14th attempt with this. This truly is a remarkable artistic achievement.
Such is the visual mastery, you could be forgiven for getting lost in Deakins' sumptuous scenery and miss key elements to the plot but Villenueve, or more particularly screenwriters Hampton Fancher and Michael Green, explain things in relative layman's terms.
It's not difficult to follow but sometimes can border on cliche and convenience. I didn't fully buy into some plot developments but the questions left from Deckard's past were, somewhat, unavoidable and this film provides some answers which slightly take away from the original's ambiguity.
That said, it's an unavoidable line that had to be crossed and it's afforded a lot of care and respect. Although, the narrative is fairly simple the similar weighty existential and metaphysical themes are prevalent again.
Where the first film explored the nature of existence, takes it slighter further and ruminates in what it constutes to have a soul and if you're looking for a reliable lead that can convey such world-weariness then look no further than Ryan Gosling.
Gosling has fast become a physical master of minimalism and, as he has already proven in Drive or Only God Forgives for example, he can convey internal struggle by practically doing nothing - which makes him absolutely perfect casting here and apparently the first and only choice that Villenueve had in mind.
He shoulders a lot of the philosophical weight of the film and holds things together when the pace is lesuirely and there's the overhanging and overbearing 1 hour 40 minute wait for Deckard to even appear onscreen.
It's a wait that's worth it though, as it kicks the film into another gear and brings with it Harrison Ford's best performance in years.
There's also more than able support from Ana de Armas as a complex hologram that longs for emotional connection and a megalomaniac Jared Leto with delusions of godliness.
In other words, Blade Runner is a remarkable refurbishment and a genuinely astounding spectacle that manages to hit the beats of the original and still find its own rhythm.
Some critics have have went as far to claim that this is an improvement over the original. Although I wouldn't go as far as that, this is still a magnificent continuation of the mythos.
The only sour note is that it descends into slightly generic action material towards the end which jars with the deliberate and meditative tone that preceded it.
That said, it manages to turn this around and when credits rolled, I found myself in contemplative silence, exhilarated by what I had just witnessed.
Sequels that can achieve such a balance and expansion on their much loved predecessors are a rarity and, as a result, can take a bow and is fully deserving of a rapturous applause.
Villenueve has only gone and made things we fans couldn't believe - a worthy sequel on the shoulders of a giant. Choose an adventure below and discover your next favorite movie or TV show.
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Rate This. Young Blade Runner K's discovery of a long-buried secret leads him to track down former Blade Runner Rick Deckard, who's been missing for thirty years.
Director: Denis Villeneuve. Added to Watchlist. From metacritic. New on Netflix India This November Visions of the Future in Movies and TV.
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Won 2 Oscars. When discussing the film, she stated she did not consider it a fashionable one. There were no superhero suits because the world needed to be realistic, and the characters relatable.
Also, we did not want to do something science-fiction. We wanted to do it realistic. I did not want costumes with [lots of] zippers and plastic.
So my job was to make the characters believable. He prefers the shorter final version that he describes as "more elegant" and which Ridley Scott still described as too long.
Villeneuve says he will not show the four-hour cut to anyone. Rapper-producer El-P said he was asked to compose music for the first Blade Runner trailer, but his score was "rejected or ignored".
The track is a reimagined version of the original Vangelis work. Blade Runner premiered on October 3, , at the Dolby Theatre in Los Angeles, although following the Las Vegas Strip shooting , the red carpet events were canceled prior to the screening.
Some scenes in the film were censored in Turkey. The scenes that featured nudity were cut. This decision received criticism from the country's film critics.
Three short films were made to explore events that occur in the year period between Blade Runner and Blade Runner , set in Too long.
I would have taken out half an hour. All the indexes and marketing tools they were using predicted that it would be a success. The film was acclaimed by critics.
So everyone expected the first weekend's results to be impressive, and they were shocked. They still don't understand. Deadline Hollywood attributed the film's performance to the minute runtime limiting the number of showtimes theaters could have, lack of appeal to mainstream audiences, and the marketing being vague and relying on nostalgia and established fanbase to carry it.
Blade Runner was well received by the American press, and various US publications included the film in their end-of lists.
Scott viewed Blade Runner as an introspection of Villeneuve's own sensibilities, the product of a director exuding an "unnerving calm", [] while San Francisco Chronicle 's Mick LaSalle said the film seemed to employ a similar narrative tone to the director's late period films such as Arrival.
The actors' performances was a principal topic of discussion among critics. Critiques of the dynamic of the cast were positive in the media, [] and reviewers often distinguished Gosling, Ford, and Wright for further praise.
The fate of K in the closing scenes of the film has been a matter of debate; some critics have suggested that his demise is open to interpretation, as it is not explicitly stated in the film that K has died.
The question of whether Deckard is a human or a replicant has been an ongoing controversy since the original release of Blade Runner.
Deckard", and that he might have been "designed" to fall in love with Rachael. The website's critical consensus read, "Visually stunning and narratively satisfying, Blade Runner deepens and expands its predecessor's story while standing as an impressive filmmaking achievement in its own right.
Reviewing the film for Vice , Charlotte Gush was critical of its portrayal of women, whom she said were "either prostitutes, holographic housewives" or victims dying brutal deaths.
While acknowledging that " misogyny was part of the dystopia " in Scott's original, she stated that the sequel was "eye-gougingly sexist ".
Just by depicting these secondary citizens in subjugation doesn't mean that it is supportive of these depictions — they are a condemnation. Fertility is the perfect theme for the dystopia of Blade Runner , because of the western elite anxiety that over-educated, over-liberated women are having fewer children, or choosing to opt out of childbearing altogether.
One in five women is now childless by the age of 45; the rates are higher among women who have been to university. Feminism is one potential solution to this problem: removing the barriers which make women feel that motherhood is a closing of doors.
Another is to take flight and find another exploitable class to replace human females Maybe androids don't dream of electric sheep, but some human men certainly dream of electric wombs.
In an interview with Vanity Fair , Denis Villeneuve responded that he is very sensitive about his portrayal of women: " Blade Runner is not about tomorrow; it's about today.
And I'm sorry, but the world is not kind on women. Mackenzie Davis , who portrayed Mariette, argued for the self-awareness of the film's social commentary in an interview with website Refinery Asked how she believed Blade Runner "differs [from Blade Runner ] in its portrayal of women?
And then I think that there are female roles in different castes of this society that are able to be more embodied and powerful in conventional ways, and also have cracks in their facade where you see their vulnerabilities.
But it seems like this world is so dependent on this caste system of humans perform these roles, replicants perform these roles, human superiors, creators, and those are the ways that women sort of travel between.
Blade Runner has received numerous awards and nominations. During the promotional tour for the film The Martian , Scott expressed interest in making additional Blade Runner films.
In January , Villeneuve expressed interest in "revisit[ing] this universe in a different way," making "something disconnected from both other movies," as opposed to a direct sequel.
From Wikipedia, the free encyclopedia. Theatrical release poster. Andrew A. Hampton Fancher Michael Green. Benjamin Wallfisch Hans Zimmer.
Release date. Running time. See also: List of Blade Runner characters. The Budapest Stock Exchange 's Liberty Square palace exterior, top , whose interior shots bottom doubled for Las Vegas in casino-set scenes.
Main article: Blade Runner soundtrack. Main article: List of accolades received by Blade Runner The Hollywood Reporter. Archived from the original on January 2, Retrieved January 1, Deadline Hollywood.
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Dem Geschäftsmann Niander Wallace fehlt eine solche zeugungsfähige Replikantin noch in der Produktpalette. Fischer Dübel sei die Lake Placid Film K, wie dieser das Geheimnis um seine wahre Vergangenheit lüftet und sich in seiner Jungfräulichkeit verliert. Dollar ein. Abgerufen am 9. In: moviepilot. Hampton FancherMichael Green.2049 Navigation menu Video
Blade Runner 2049 - Official Trailer
Ist Deckard ein Replikant? Doch die Geliebte ist nur ein Hologramm. Romain Antony In: npr. In: Zeit Online. Ryan Gosling. Hanns-Georg Rodek von Welt Online meint, Blade Runner sei keine revolutionäre Tat wie Outlander Online Anschauen Vorgänger, da Diva Film die grenzenlose Innovation fehle, doch verrate er das Original auch nicht, sondern behandele es mit Respekt. Wo kann man diesen Film schauen? Erzählt aber-wie Teil 1- eine tolle Parabel über Menschheit und Menschlichkeit. 
Über Filme auf DVD bei Thalia ✓»Blade Runner «und weitere DVD Filme jetzt online bestellen! In Blade Runner , der Fortsetzung des Science-Fiction-Klassikers von Ridley Scott, begibt sich Replikantenjäger Ryan Gosling auf die Suche nach seinem. Mit "Blade Runner " gelingt Regisseur Denis Villeneuve eine ehrbare, wenn auch leider zu verzagte Fortsetzung des. Von der Bewusstwerdung der Replikanten: 35 Jahre nach „Blade Runner“ ist Denis Villeneuves „Blade Runner “ ein atemberaubendes. 2049 Movies / TV Video
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Add Article. Blade Runner Critics Consensus Visually stunning and narratively satisfying, Blade Runner deepens and expands its predecessor's story while standing as an impressive filmmaking achievement in its own right.
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How did you buy your ticket? View All Videos View All Photos Movie Info. Officer K Ryan Gosling , a new blade runner for the Los Angeles Police Department, unearths a long-buried secret that has the potential to plunge what's left of society into chaos.
His discovery leads him on a quest to find Rick Deckard Harrison Ford , a former blade runner who's been missing for 30 years. Denis Villeneuve.
Andrew A. Hampton Fancher , Michael Green. Dec 26, Blade Runner. Ryan Gosling "K". Harrison Ford Rick Deckard. Ana de Armas Joi.
Sylvia Hoeks Luv. Robin Wright Lieutenant Joshi. Jared Leto Niander Wallace. Mackenzie Davis Mariette. Carla Juri Dr.
Ana Stelline. Lennie James Mister Cotton. Dave Bautista Sapper Morton. Denis Villeneuve Director. Hampton Fancher Screenwriter.
Michael Green Screenwriter. Kosove Producer. Broderick Johnson Producer. Bud Yorkin Producer. Cynthia Sikes Yorkin Producer. Ridley Scott Executive Producer.
Bill Carraro Executive Producer. Tim Gamble Executive Producer. Rotten Tomatoes Predicts the Oscars October 11, Full Review….
October 8, Full Review…. October 6, Full Review…. October 6, Rating: 3. September 3, Rating: 3. July 23, Rating: 3. July 3, Full Review….
July 1, Full Review…. June 29, Full Review…. View All Critic Reviews Oct 19, A visual spectacle and worthy sequel to the classic original.
Mark B Super Reviewer. Jul 08, This time the blade runner Ryan Gosling , the officer responsible for 'retiring' the bioengineered humans referred to as replicants, is a replicant himself, but with a new design to make him more subservient.
Early on he uncovers shocking evidence that a female replicant from the past actually gave birth, and is immediately at the center of a conflict between his boss Robin Wright , who wants to find and kill the offspring, and an industrialist Jared Leto , who wants to learn the secret of this miracle and build a massive labor force.
As with the first Blade Runner, the film raises some interesting philosophical questions. What does it mean to be a sentient being? Can an engineered being deserve what we want as people - freedom, love, and happiness?
And what are the ethics of humanity building such beings? The blade runner has a holographic girlfriend Ana de Armas , and in one scene, she arranges a prostitute for him, since she herself is disembodied.
It's pretty wild when one reflects it's a computer program arranging for sex for a robot. Unfortunately, the philosophical points don't deliver nearly as much as in the first film, where Rutger Hauer faced his mortality and wanted so desperately to meet his maker, those aspects of existence most profoundly human, culminating with that devastating scene in the rain.
Like the first film, this one has a slow pace, but at minutes, it's much longer, and probably too long. It does allow for the story to gradually unfold and all those gorgeous images, but it drags, and I was not a fan of how it played out.
The story line muddles a bit, and then rather than being complete, sets itself up for sequels and presumably a franchise.
That was a real shame, and on its own lowered by review score by half a tick. The performances are all strong, and it was nice to see Harrison Ford still getting it done at age Overall it's a solid sequel, which is tough to do given the legendary film it follows, but it falls a little short.
Antonius B Super Reviewer. May 27, Another year and another old franchise is brought screaming and kicking back into the present. For better or worse?
Well that's always the million dollar question and often its the latter. The Plot: Its now and now all older model replicants are illegal newer models are legal.
We now follow a replicant blade runner called K Ryan Gosling. After retiring a rogue replicant K discovers a box buried in the ground which contains a mysterious skeleton.
Turns out the skeleton belonged to a female replicant and bares the marks of a caesarean delivery. K is now tasked with finding the child and retiring it.
He takes the remains to the Wallace Corporation, which took over the Tyrell Corporation, to identify the remains.
The replicant is of course Rachel from the first movie which will in turn eventually lead K back to Deckard Harrison Ford.
Of course Wallace CEO Niander Wallace wants to know how replicants are reproducing so he sends his combat model replicant Luv to get the remains and track K to find the child.
The Visuals: Oh man its dark here, its so really really murky dirty and dark. Like has mankind somehow blocked the sun out and everyone lives in perpetual darkness and rain, like lots and lots of rain.
But seriously, we all know the first movie was a dark moody vision of the future so its of no surprise that that has continued here despite the fact that outside the cities there is still green countryside and blue skies, apparently.
Director Denis Villeneuve and cinematographer Roger Deakins have certainly recaptured the original movies looks Every scene, every shot, every sequence feels like something you'd see in an art museum exhibition.
The imagery ranges from stunning to super stunning utilising vivid colours, muted colours, barren wastelands, surreal interiors, and of course bleak dystopian cityscapes.
Anyone who knows this franchise will know what to expect for sure, but what you see here is still gonna blow your socks off. Whilst some scenes look like something straight out of your standard futuristic anime vision of Tokyo complete with huge holograms and neon signage everywhere.
Other interior scenes do certainly seem to have a 'Prometheus' vibe about them. You could be forgiven for thinking you were watching a sequence involving the Weyland Corporation.
Plan to watch films. Watched in Favourite Movies. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Won 2 Oscars.
Edit Cast Cast overview, first billed only: Ryan Gosling Sapper Morton Robin Wright Lieutenant Joshi Mark Arnold Angry Old Lady Ana de Armas Joi Wood Harris Nandez David Dastmalchian File Clerk Sylvia Hoeks Luv Edward James Olmos Gaff Jared Leto Niander Wallace Sallie Harmsen Female Replicant Hiam Abbass Freysa Mackenzie Davis Taglines: The key to the future is finally unearthed.
Edit Did You Know? Trivia Ana de Armas' had no problem performing the nude scenes, but she refused to cut her hair short for the role.
So they used a wig instead. Goofs at around 44 mins When K meets the 3 hookers, there are lots of foreign language ads all around, one of them is for Coca Cola but in Hebrew.
The letters flash on and off and then light each letter individually. The order in which they light up is left to right, and not as it should be, since it's Hebrew, right to left.
Quotes [ first lines ] 'K' : I hope you don't mind me taking the liberty. I was careful not to drag in Alternate Versions The IMAX print viewed by Turkish film critics at the movie's press screening in two days advance of its Turkish theatrical release censors nudity by digital zooming.
Since the movie had not yet been classified by Turkish censors at the time of the press screening, this intervention appears to have been carried out by Sony Pictures for the Turkish market, as well as for some non-Western markets in general.
Was this review helpful to you? Yes No Report this. Frequently Asked Questions Q: Why are replicants designed vulnerable? A human would be killed by a shot or a stab, but why would a replicant be?
Why design a robot and make them as frail as a human? The Budapest Stock Exchange 's Liberty Square palace exterior, top , whose interior shots bottom doubled for Las Vegas in casino-set scenes.
Main article: Blade Runner soundtrack. Main article: List of accolades received by Blade Runner The Hollywood Reporter.
Archived from the original on January 2, Retrieved January 1, Deadline Hollywood. Archived from the original on October 27, Retrieved October 23, Archived from the original on June 15, British Board of Film Classification.
September 25, Archived from the original on October 3, Retrieved October 5, British Film Institute. Archived from the original on January 3, Retrieved January 2, October 7, Archived from the original on October 4, Archived from the original on September 14, Retrieved September 14, Feature Film Study : August Archived PDF from the original on August 9, Retrieved August 9, Box Office Mojo.
Archived from the original on October 30, Retrieved October 25, Archived from the original on January 11, Retrieved January 11, Entertainment Weekly.
Archived from the original on January 23, Retrieved June 6, November 14, Dey Street Books. Archived from the original on December 29, Retrieved October 10, British Cinematographer.
Archived from the original on April 19, Retrieved April 19, Retrieved July 27, Archived from the original on April 12, Retrieved April 12, We asked the producers".
Archived from the original on April 15, Los Angeles Times. Archived from the original on April 18, Retrieved August 19, The New York Times.
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